| St Mary's Church | |
St Mary's Church, Nottingham
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St Mary's Church
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| Country | United Kingdom |
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| Denomination | Church of England |
| Churchmanship | Book of Common Prayer / Broad Church |
| Website | www.stmarysnottingham.org |
| Administration | |
| Diocese | Southwell and Nottingham |
| Province | York |
| Clergy | |
| Vicar(s) | The Revd Christopher Harrision |
| Curate(s) | The Revd Stephen Morris |
| Laity | |
| Organist/Director of music | John Anthony Keys |
The Church of St Mary the Virgin is the oldest religious foundation[1] in the City of Nottingham, England, the largest church after the Roman Catholic Cathedral and the largest mediæval building in Nottingham.
The church is Grade I listed by the Department for Culture, Media & Sport as a building of outstanding architectural or historic interest.[2] It is one of only five Grade I listed buildings in the City of Nottingham.[3]
It is situated on High Pavement at the heart of the historic Lace Market district and is also known as St Mary's in the Lace Market. It is a member of the Greater Churches Group, and part of the parish of All Saints', St. Mary's and St. Peter's, Nottingham. A map of the parish is available on Google Maps
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The church is mentioned in the Domesday Book[1] and is believed to go back deep into Saxon times. The main body of the present building (at least the third on the site) dates from the end of the reign of Edward III (1377) to that of Henry VII (1485–1509). The nave was finished before 1475 and it is notable for its uniformity of gothic perpendicular style.[4] It is likely that the south aisle wall was the first part of the building to be constructed in the early 1380s, with the remainder of the nave and transepts being from the early 15th century.[5] The tower was completed in the reign of Henry VIII.[6]
The church was owned by Lenton Priory from 1108 to 1538 [7] and the monks took the living of the church as Rector, and appointed a Vicar to perform the daily offices.
In 1513, a school was founded in the church by Dame Agnes Mellers as The Free School of the Town of Nottingham.[8] This is now Nottingham High School. In the Foundation Deed, Mellers provided that a Commemoration Service should be held in the church "on the Feast of The Translation of St Richard of Chichester". With the exception of the Goose Fair, it is the most ancient ceremonial event still perpetuated in the City of Nottingham,[9]
George Fox founder of the Religious Society of Friends, commonly known as the Quakers or Friends, was imprisoned in Nottingham in 1649 after interrupting the preacher at St. Mary's.
Nottingham Bluecoat School was founded in 1706, and the first lessons were taught in the porch of the church.
For several years from 1716, the church was used to house the town fire engine. It was kept at the west end, and was still there until at least 1770.[10]
St. Mary’s opened a workhouse in 1726 at the south end of Mansfield Road and ran it until 1834 when responsibility for workhouses was transferred from parishes to secular Boards of Guardians. The workhouse was demolished in 1895 to clear part of the site needed for the construction of the Nottingham Victoria railway station.[11]
The church was closed for 5 years from 1843 for a major restoration. It re-opened on 19 May 1848 when the Bishop of Lincoln John Kaye presided.[12]
St. Mary’s pioneered Sunday School education for those children unable to attend a day school. Pupils were taught reading, writing and arithmetic, as well as religious knowledge. The first Sunday School was opened in 1751, 35 years before the generally acknowledged first Sunday School was founded in Gloucester by Robert Raikes.[13]
A society of good and well meaning persons which meet every Wednesday and Sunday evenings in the vestry of St. Mary's, pay yearly 6l. 8s. for the instruction of sixteen more poor children; and about six are put to school by the charity of private persons.[14]
The chantry door is considered to be the oldest surviving door in Nottingham, dating from the 1370s or 1380s. it contains an example of iron work from the medieval period in the locking mechanism.[21]
The chantry room has latterly been used as a bonehouse, a coal store, and a chair store. It now contains a toilet for wheelchair users.
The survival of the door is likely to be due to the fact that it has not been heavily used, and is internal within the church.
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It was at St. Mary's that the practice of laying on of hands by a Bishop during a Confirmation service was first observed ca. 1760 and documented by Thomas Newton Bishop of Bristol.[23] This laying on of hands was done by John Gilbert, Archbishop of York.
The bronze doors were designed in 1904 by Henry Wilson in memory of his father-in-law, Revd. Francis Morse.
The intention of the design of the doors is to illustrate the Life of Our Lord in its relation with the Holy Mother to whom the church is dedicated and by the general treatment to suggest the idea of pity.
In the tympanum enclosed within a vesica the Holy Mother supports and cherishes the body of Christ, while in the spandrels, on either side, the gates of Death and Life are suggested: the Dove, typifying the spirit, enters weary into the one and issues strong-winged from the other, thus symbolising the unending round of Death and Life.
The dedicatory inscription "In loving memory of Francis Morse, 1818-1886, Father, Pastor, Friend" in the form of a pierced cresting, divides the tympanum from the doors themselves. These are formed into panels by mouldings of beaten bronze, with angel bosses at the intersections.
On each leaf of the door are five panels, in relief, illustrating the Life of Our Lord, the subjects on the left leaf being “The Annunciation,” with Gabriel appearing at the Virgin’s window in the early morning; “The Visitation,” with the Virgin running to meet her kinswoman. Below these come “The Nativity,” followed by “The Epiphany,” and the lowest panel shows the Salvator Mundi on a Cross of branching vine. At the foot of the Cross stand our first parents, conscious of the fall, while the doves of peace and pardon hover overhead.
The subjects of the panels on the right door of the leaf are “The flight into Egypt”; “The Baptism in the Jordan”; “The entry into Jerusalem”; The three Maries at the Sepulchre”; and “The Resurrection.” In this panel the Saviour is shown emerging from the tomb and while still bound with the grave clothes, the Spirit of Life, in the form of a Dove, flies to His breast, and overhead the birds sing at the coming of a new Dawn.
The church has a fine collection of late Victorian stained glass windows by many famous makers, including Kempe, Burlison and Grylls and Hardman & Co..[24]
It is also known for its octagonal mediæval font with a palindromic Greek inscription NIΨONANOMHMATAMHMONANOΨIN (Wash my transgressions, not only my face),[25] and a rather battered alabaster tomb fragment which portrays a lily crucifix[26] and a Nottingham Alabaster panel depicting Archbishop Thomas Becket.[27]
Internal dimensions[28] are
The tower stands 126 feet (38 m) above ground level.
St Mary's has a wide ministry to many different groups. It is the Civic Church to the City of Nottingham. In the past, the election of the town mayor took place in the church and this tradition continues with a welcome to the new Lord Mayor of Nottingham in a service held each summer.
It is the University Church for the University of Nottingham [29] and several schools and organisations hold annual services here.
In recent years, in addition to its function as a place of worship, St Mary's is the venue for a wide range of concerts and public performances, and is home to the Nottingham Bach Choir.
The assistant curate at St Mary's takes the ancient title 'Lecturer', the post is currently held by Revd. Stephen Morris.
The church retains the Book of Common Prayer, the traditional Liturgical colours and the principal services are sung by a robed choir.
St. Mary's retains the historic practice of celebrating the Eucharist at a High Altar Ad orientem with priest and people facing eastwards, rather than the contemporary practice of Versus populum having the priest facing the congregation.
The vicarage of St. Mary's was formerly at Washington House on High Pavement, but with the increasing industrialisation of the Lace Market at the end of the 19th century, the church purchased a new residence opposite the castle gatehouse. This was used as St. Mary's Vicarage until Canon Eddie Neale retired in 2003.[30]
The adjoining property was the rectory for St. Peter's Church, Nottingham.
A joint parish house has now been purchased in The Park Estate.
There are twelve bells in the ring.[32][33]
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St Mary's has a choir of some standing. Under the leadership of John Keys, the Choir of St Mary’s is regarded as one of the county’s finest.
There are three choral services a week – Wednesday Evensong, Sunday Eucharist and Sunday Evensong.
Renowned for its versatility and wide repertoire it performs music from plainsong through to world premieres, performs regularly in concert on its own and with St Mary’s resident orchestra, The Orchestra of the Restoration. Organ and Choral Scholarships[34] are available to students in full-time higher education.
The Organ is by Marcussen & Søn of Denmark and is a fine example of a neo-classical style instrument. It was installed in 1973 by the organist of the time, David Butterworth. It has 25 speaking stops. It is a fabulous instrument which adequately gives musical support to choir and congregation as well as being a fantastic soloists instrument.
Link to details of the organ on the National Pipe Organ Register.
There are records of organs in the church in the late sixteenth and early 17th centuries, but no record of any of the organists from this period has been found.[35]
| Date | Name | Comments |
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| 1704–1712 | Thomas Rathbone | (d.1712) |
| 1712–1755 | William Lamb | (d.1755) |
| 1756–1802 | Samuel Wise | (c.1730-1802) Formerly Organist of the Church of St. Mary Magdalene, Newark-on-Trent and Southwell Minster |
| 1802 - ???? | John Pearson | (c.1754-1832) Organist until at least 1818 |
| ???? - 1831 | John Pearson | (c.1790-1831) date of appointment unknown but before 1825 |
| 1831–1836 | William Aspull | (1798–1875) |
| 1836–1867 | Charles C Noble | (1812–1885) Formerly Organist of St Martin's Church, Stamford, Latterly Organist of St. Ann's Church, Nottingham |
| 1867–1904 | James Arthur Page FRCO | (1846–1916) |
| 1904–1914 | William Frederick Dunnill FRCO ARCM | (1880–1936) Formerly Organist of Christ Church, Surbiton and St. Luke's Church, Bromley, Latterly Organist of Birmingham Cathedral |
| 1914–1922 | Frank Radcliffe MusDoc FRCO | (1883–1922) Formerly Assistant Organist of Manchester Cathedral and Organist of St. Wulfram's Church, Grantham |
| 1922–1928 | Vernon Sydney Read ARCM FRCO | (1886–1980) Formerly Organist of Holy Trinity Church, Lenton, Latterly Organist of St. John's Church, Torquay |
| 1928–1954 | Henry Oswald Hodgson FRCO | (1886–1975) |
| 1954–1956 | David James Lumsden MA DPhil BMus HonFRCO | (b.1928) Formerly Assistant Organist of St. John's College, Cambridge, Latterly Organist of Southwell Minster and New College, Oxford |
| 1957–1967 | Russell Arthur Missin ThD FRCO(CHM) ADCM LTCL | (1922–2002) Formerly Assistant Organist of Ely Cathedral and Organist of St. Mary's Church, Thetford, Holbeach Parish Church and All Saints' Church, Oakham, Latterly Organist of Newcastle Cathedral |
| 1967–1983 | David Sheeran Butterworth MA MusB FRCO(CHM) | (b.1946) Latterly Organist of St. Peter and St. Paul's Church, Mansfield and St. Mary's Church, Clifton, Nottingham |
| 1984 - | John Anthony Keys MA LRAM ARCM ARCO | (b.1956) Formerly Assistant Organist of Chester Cathedral and Holy Trinity Church, Geneva and Organist titulaire Eglise de St. Jean, Geneva |